1. It is possible to avoid Adjustment Layers while working with the Healing Brush tool.
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- True
- False
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- It indicates the lighting angle that has been used for every style that you added in your document.
- It shows the opacity that has been used for every style that you added in your document.
- It uses the same lighting angle in every style you add in your document.
- It indicates that the same opacity level will be used for every style you add in your document.
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- These tools create a layer mask when you click on stage to enter the text.
- These tools create normal text on screen without creating a new layer.
- These tools create a selection of whatever you type without creating a new layer.
- These tools do nothing special other than creating a simple type layer.
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- Content Aware Scale
- Puppet Warp
- Mixer Brush
- There is no such tool available in Photoshop.
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- True
- False
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- It lets you expand or contract the outer edge of the mesh by a pixel value.
- It turns the mesh on or off.
- It lets you determine how deep the warping goes.
- It controls the spacing of mesh points.
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- Scale Styles
- Resampling
- Constrain proportions
- None of the above
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- Gloss
- Material
- Exposure
- All of the above
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- It lets you select between the various options available for workspace.
- It lets you select between the screen modes available in Photoshop.
- It lets you choose how you want your documents to appear on screen.
- None of the Above.
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- Crosshatch
- Trace Contour
- Vanishing Point
- Graphic Pen
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- True
- False
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- True
- False
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- Airbrush, Brush Panel
- Opacity, Flow
- Behind mode, Clear mode
- None of the above
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- Paste Into
- Paste In Place
- Paste Outside
- All of the above
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- Mask the object. Select the shape layer and go to the Blending Options. Check Blend Interior Effects as a Group and uncheck Blend Clipped Layers as a Group.
- Mask the object. Select the shape layer and go to the Blending Options. Check Blend Clipped Layers as a Group and uncheck Blend Interior Effects as a Group.
- Mask the object. Select the shape layer and go to the Blending Options. Check Layer Mask Hide Effects.
- Mask the object. Select the shape layer and go to the Blending Options. Check Transparency Shape Layers and uncheck Vector Mask Hide Effects.
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- True
- False
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- Select Type tool>> Mouseover the shape or path and start writing when the cursor shape changes to type cursor with a curved line on it.
- Select Type tool>> Choose the Warp text option from the Options bar and choose the shape you want to give the text.
- Type the required text and transform it with the help of different transform tools to adjust it according to the shape.
- It is not possible to achieve this effect in Photoshop.
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- 50, 75
- 0, 50
- 0, 100
- 50, 100
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- Kerning
- Leading
- Baseline shift
- Tracking
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- It will let you change the width and height of the document independently.
- It will fix the width and the height of the document.
- It will scale the image proportionally.
- It has nothing to do with the size of the document.
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- sharply define a selection.
- create cloud patterns.
- remove noise.
- geometrically distort an image.
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- Bicubic Sharper
- Bilinear
- Nearest Neighbor
- Bicubic
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- Density
- Apply Mask
- Mask Edge
- Load selection from mask
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- Rasterizing
- Masking
- Convert to Smart Object
- Link layers
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- Gradient Mask
- Channels
- Layer Blend Modes
- Path
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- True
- False
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- True
- False
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- Brightness, Contrast
- Tonal range from darkest to lightest, number of pixels at particular level of brightness
- Hue/Saturation, Lightness
- None of the above
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- True
- False
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- True
- False
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- True
- False
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- Merge linked
- Merge selected
- Merge down
- Merge visible
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- New path, Delete path
- Load path as selection, Make work path from selection
- Fill path with foreground color, Stroke path with brush
- None of the above
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- True
- False
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- True
- False
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- True
- False
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- Overlay
- Color Burn
- Vivid Light
- Color Dodge
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- Opacity
- Flow
- Sample All Layers
- Mode
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- True
- False
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- Transform
- Clipping Mask
- Smart Object
- Rasterizing
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- CMYK color mode
- RGB color mode
- Bitmap color mode
- High Dynamic Range
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- They define the ending points of a path and makes it closed path.
- They define the starting point of any shape.
- They are the control points which gives shape to each segment of a line.
- They just define the outer boundary of any shape.
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- True
- False
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- True
- False
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- File>Scripts>Load Images into Stack
- File>Import>Video Frames to Layers
- File>Automate>Photomerge
- File>Scripts>Image Processor
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- True
- False
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- High Pass
- Unsharp Mask
- Smart Sharpen
- All of the above
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- True
- False
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- Horizontal scale
- Leading
- Kerning
- Tracking
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- For printing colors
- For onscreen colors
- Both a and b
- None of the above
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- Hard Mix
- Pass Through
- Dissolve
- Multiply
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- Bit
- Bit depth
- Pixel Aspect Ratio
- Resolution
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- Levels
- Curves
- Vibrance
- Threshold
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- True
- False
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- True
- False
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- Drop Shadow, Inner Shadow, Bevel and Emboss, Pattern Overlay
- Inner Shadow, Bevel and Emboss, Satin, Stroke
- Bevel and Emboss, Satin, Stroke, Gradient Overlay
- Outer Glow, Color Overlay, Stroke, Inner Glow
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- Sepia tone
- Fake duotone
- Hue/Saturation
- Color Balance
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- JPEG
- PNG-8
- WBMP
- All of the above
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- 3
- 5
- 4
- 2
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- 5
- 2
- 4
- 3
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- Scattering
- Color Dynamics
- Transfer
- All of the above
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- True
- False
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- Colored Images
- Vector Images
- Raster Images
- Composite Images
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- It lets you see a separate curve for each channel in your document.
- It tells Photoshop to display the original curve as a straight line.
- It determines whether Photoshop displays a light-gray version of your image’s histogram behind the grid.
- It makes Photoshop display horizontal and vertical “helper” lines when you drag a point to help you align it properly.
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- Channel Options
- Split Channels
- Panel Options
- Spot Channel
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- Opacity
- Transparency
- Performance
- Interface
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- First
- Second
- Third
- None of the above
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- 3
- 5
- 4
- 2
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- 50, 75
- 0, 50
- 0, 100
- 50, 100
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- Overlay
- Color Burn
- Vivid Light
- Color Dodge
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